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Brazilian Gregorio Graziosi’s “Tinnitus” is co-written by Andrés Julian Vera and Marco Dutra, a Locarno best director winner for “Good Manners”; its Dp is Rui Poças, whose credits include Lucrecia Martel’s “Zama” and upcoming “Tabu.”
Its score is from David Boulter, who played keyboard on Claire Denis’ “Bastards,” collaborated on the score of her “High Life.”
Such credentials will make, almost inevitably, for one of the most polished of entries at Copia Final, Ventana Sur’s pix-in-post competition, where it screens on-site at the Cinemark Puerto Madero on Wednesday.
Developed at the Cannes Festival’s Résidence, “Tinnitus” looks set to weigh in as high art in the service of what on paper may seem a classic sports comeback narrative involving Marina, a high-board synchronized diver, who suffers a serious diving accident caused by tinnitus. She is encouraged by her substitute Teresa, she stages a comeback, though still terrorized
John Hopewell
